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Sneak Peek: Murder at the Rusty Anchor by Maddie Day

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Murder at the Rusty Anchor by Maddie Day

There’s deadweight behind the bar at the Rusty Anchor and it’s up to Cape Cod bike shop owner Mackenzie “Mac” Almeida to solve the murder in Agatha Award–winner Maddie Day’s latest Cozy Capers Book Group Mystery . . .

A rainy July weekend in Westham means the beaches are empty and business is dead at Mac’s Bikes but couldn’t be livelier inside the Rusty Anchor Pub. But come Monday morning one patron is not so lively when the chef opens up and finds a body behind the bar. It’s last call for Bruce Byrne, an elderly high school teacher who’s been around so long it seems like he taught everybody.

When Mac’s friend Flo, the librarian, makes the list of suspects, Mac gathers the Cozy Capers Book Group to clear her name. With no end in sight to the rain, the group has plenty of time to study the clues and sort through a roll call of suspects to determine who decided to teach Mr. Bryne a lesson. But with a killer desperate to cover their tracks, Mac and the group will be tested as never before . . .

NEW BOOK FROM DAV PILKEY’S DOG MAN SERIES

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DOG MAN FEATURE FILM COMING TO THEATERS WORLDWIDE IN JANUARY 2025 FROM DREAMWORKS ANIMATION

Some howling good news to readers and moviegoers alike. Scholastic, the world’s largest children’s book publisher and distributor, announced today that a new book in the global publishing phenomenon Dog Man by Dav Pilkey will be published on December 3rd. DreamWorks Animation and Universal Pictures recently revealed that “Dog Man,” an animated feature film adaptation based on the blockbuster hit graphic novel series will be released in theaters worldwide in January 2025.

Dog Man: Big Jim Begins, the thirteenth book in the series, explores the origin story of Pilkey’s beloved Dog Man characters, and will land in stores in time for the holiday season and weeks before the global theatrical release of the movie. The announcement comes on the heels of the success of Dog Man: The Scarlet Shedder released in March of this year and seized the #1 spot as the bestselling book overall (adult and children’s books combined) for five straight weeks* in North America and topped bestseller lists around the world. Since the series launched to critical acclaim in August 2016, there are more than 60 million Dog Man books in print to date with translations in 47 languages.

Author and illustrator Dav Pilkey, whose first graphic novel was published nearly 22 years ago, said, “With this new book, I wanted to share the origin story of my characters, as readers get to know more about Big Jim—a character who is playful, kind, overly optimistic and often misunderstood, and who sometimes gets into trouble despite having the best intentions. Since the pandemic, I’ve been writing and illustrating books in the Dog Man and Cat Kid Comic Club series which has been a satisfying yet solitary experience. I’m grateful to all my readers—kids and their families as well as educators–who have sent me letters and messages of encouragement. Their support and enthusiasm have inspired me to keep making books. I am truly humbled and honored.”

“For nearly four decades, Dav Pilkey has been delighting kids with books that ignited their passion for reading,” said Ellie Berger, President of Scholastic Trade. “With Dog Man, Dav has created a vast universe featuring characters that kids can relate to and stories that make them laugh and clamor for more. There isn’t anything in the industry that has reached this level of success and fandom that Dog Man has achieved in seven short years. The massive impact of Dav Pilkey’s books cannot be overstated, and we couldn’t be more proud to be his publisher and help bring these books to the hands of kids everywhere.”

“Dog Man” film director Peter Hastings (Kung Fu Panda, Animaniacs, The Epic Tales of Captain Underpants), said, “What I found so compelling about Dog Man is that it transcends culture and language, connecting and uniting kids and families everywhere with stories about friendship, love, bravery, empathy, epic adventures…and of course, a lot of humor. All of us at DreamWorks Animation are thrilled to once again be partnering with the incredibly talented Dav Pilkey and the team at Scholastic to bring Dog Man to the big screen–an iconic character known all over the world.”

With Dav Pilkey’s trademark humor and heart, the Dog Man series celebrates creativity and imagination and explores universally positive messages including the importance of doing good and striving to become a better version of one’s self, while it also tackles more complex themes including loss, redemption, and forgiveness. Most recently with Dog Man: The Scarlet Shedder, Dav Pilkey delved into the world of artificial intelligence while making a gripping and comical commentary about the impact of social media.

About Dav Pilkey
The publication of Dog Man: Big Jim Begins marks Dav Pilkey’s 38 years of writing and illustrating award-winning and bestselling books for children. When Pilkey was in second grade, he was diagnosed with dyslexia and what is now widely known as attention deficit hyperactivity disorder (ADHD). Because of his learning and behavioral issues in school, he was often sent out in the hallway. It was in his elementary school hallway where he created comic books about superheroes that eventually became Captain Underpants and Dog Man. Launched more than 25 years ago, Pilkey’s pioneering Captain Underpants series has more than 90 million copies in print, translations in 38 languages, released as a feature film by DreamWorks Animation, as well as an original series on Netflix. TheaterWorksUSA’s musical adaptations of Dog Man and Cat Kid Comic Club opened to rave reviews, were both New York Times Critics’ Picks, and are currently touring around North America and AustraliaDav Pilkey has created over 70 books for children and was awarded a Caldecott Honor for his picture book The Paperboy. His first graphic novel, The Adventures of Super Diaper Baby, was an instant national bestseller and was published fourteen years before the first Dog Man book was released. For more information about Dav Pilkey and his books, visit https://mediaroom.scholastic.com/davpilkey.

 

Behind The Words With Leo Daughtry

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We’re welcoming debut author Leo Daughtry to the blog. His release Talmadge Farm explores life in the 1950’s Southern tobacco era.

What inspired you to write “Talmadge Farm?” 

I lived through changing times, particularly the 1950s when there was nearly complete segregation in the South, especially in rural areas. Sharecropping was common, and women did not divorce in those times because it was considered demeaning, a failure. Then in the 1960s, everything began to change. Sharecropping disappeared, birth control entered the picture, and women could live life with more freedom and less dependence on men.

Can you tell us more about your family history and its connection to North Carolina and tobacco? How did this environment influence your writing? Beyond the direct associations with tobacco and North Carolina, are there more subtle aspects of your upbringing and family history that influenced your writing? 

Tobacco was king in North Carolina. People practically worshiped it. Where I grew up, it put food on the table. Cotton was more up and down, but tobacco provided financial stability, not just for farmers but for the whole community. My family grew tobacco, sold fertilizer and seed, and managed a tobacco auction. It was our whole world.

You have had a successful career as a lawyer and an Air Force Captain before that. What prompted you to pursue writing fiction? 

I always had the idea for this particular story in my head. The 1950s and 1960s were two decades that changed the world, and a farm with sharecroppers is a bit of a pressure cooker environment. You have the farmowner’s family – in many cases people of wealth and entitlement – living just down the driveway from the sharecropping families. The sharecroppers were poor and had limited options, so they felt stuck living on a farm that didn’t belong to them doing backbreaking work with no way out. It’s a situation that lends itself to drama: families with major differences in class/race/socioeconomic status living in such close proximity to one another.

How has the landscape of tobacco farming changed, and how did you incorporate those changes into the plot of “Talmadge Farm?”  

Probably the biggest change was the shift from sharecropping to migrant workers. Today, tobacco farmers are large corporations that use migrant workers as laborers. But in the 1950s, farming relied almost completely on sharecropping, which was a hard life. Tobacco farming is physically demanding work, and sharecroppers needed the help of all family members to complete the various steps – planting, seeding, suckering, priming, worming, and cropping – of harvesting the crop. Sharecroppers at one farm would help sharecroppers at the neighboring farm because they did not have the resources to hire extra people. In the 1950s, sharecroppers were unable to get credit anywhere but at the general store and maybe the feed store. They truly lived hand to mouth all the time, only able to pay their debts after the tobacco auction in the fall. Hence the phrase “sold my soul to the company store.” Sharecroppers often turned to moonshining as a way to make extra money.

As I describe in the novel, sharecropping began to disappear in the 1960s as children of sharecroppers started taking advantage of new opportunities that the changing society offered. Migrant workers took over the labor of farming. In addition to labor changes, new machinery improved the industry. N.C. State was instrumental in developing advances in the farming world. Legislation changed and farmers were allowed to have acreage allotments outside of the land they owned. I touch on all of these changes in the novel.

Are any of the characters in your book based on real people? 

Not really. The closest characters to real people in my life are the characters of Jake and Bobby Lee. Jake is a Black teenager who wants to escape farm life and ends up running away to Philadelphia to become a success. Bobby Lee is a young Black soldier stationed at Fort Bragg. On the farm where I grew up, there was a Black sharecropping family with four sons, the youngest of whom was my age. We were very good friends. All of the boys were bright and athletic, could fix anything, yet were limited in their opportunities. They didn’t have a school to go to or a job to look forward to. Their only options were to stay on the farm or join the army. The character of Gordon, while not based on any one person, reminds me of a lot of men I knew who did not treat women well, who were racist, who enjoyed the status quo and were resistant to anything that threatened their way of life.

Thank you for dropping by today and sharing a look inside Talmadge Farm, and the American landscape of tobacco, and a historical look at the American South.

Readers, Leo’s novel Talmadge Farm has just released. Here’s a quick look:::

It’s 1957, and tobacco is king. Wealthy landowner Gordon Talmadge enjoys the lavish lifestyle he inherited but doesn’t like getting his hands dirty; he leaves that to the two sharecroppers – one white, one Black – who farm his tobacco but have bigger dreams for their own children. While Gordon takes no interest in the lives of his tenant farmers, a brutal attack between his son and the sharecropper children sets off a chain of events that leaves no one unscathed. Over the span of a decade, Gordon struggles to hold on to his family’s legacy as the old order makes way for a New South.

TALMADGE FARM is a sweeping drama that follows three unforgettable families navigating the changing culture of North Carolina at a pivotal moment in history. A love letter to the American South, the novel is a story of resilience, hope, and family – both lost and found.

 

LISTEN TO TALES OF GROO TOLD BY A TRAVELING MINSTREL IN “GROO: MINSTREL MELODIES”

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Another story from the world of Groo by comics legends Sergio Aragonés and Mark Evanier!

Dark Horse Comics presents Groo: Minstrel Melodies, a new miniseries by Eisner Award-winning creators Sergio Aragonés and Mark Evanier. Written by Aragonés and Evanier, illustrated by Aragonés, lettered by Stan Sakai, and colored by Carrie Strachan, this new series follows the Groo-verse’s hapless wandering minstrel and his smart daughter, Kayli.

Traveling from town to town, the minstrel and Kayli sing tales of Groo wherever they go, bringing laughter, joy, and lessons to the townsfolk…and hopefully some kopins to their pockets! Groo’s foolishness is endless, so there will be four issues of entertaining stories that both celebrate Groo’s unique idiocy and warn others of his deadly deeds.

Groo: Minstrel Melodies #1 (of 4) will be available in comic shops on September 4, 2024. It is now available to preorder from your local comic shop for $4.99.

Be sure to follow DarkHorseComics on social media and check our website, www.darkhorse.com for more news, announcements, and updates.

Praise for Groo:
“Mark and Sergio have upped the ante for the idiot barbarian, taking him to a new level (literally) and proving that some things never change. Top-notch stuff!”—Major Spoilers

“Thank heaven for Sergio Aragonés’s Groo and the continuing adventures of this clueless character. Funny and thoughtful all ages reading that will have you heaping praises on each contributor.”— SciFi Pulse

“Plenty of comedy, great story and art, and a fantastic story for all ages. I can never not recommend Groo, and I don’t intend to start now.”—Outright Geekery

“Groo is a beloved and wonderful character and Sergio’s work bringing his adventures to life over the years will never stop being excellent.” –PopCult HQ

“Groo’s as good as it’s ever been.” —Slings and Arrows

Dark Horse Comics

Guest Post: The 9 Most Common Misconceptions About the Salem Witch Trials by Alice Markham-Cantor

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If you’re like most Americans, you know a little about the Salem witch trials and you have a theory about why they happened. For the last 332 years, people have debated how and why the people of the Massachusetts Bay Colony could have embarked on a witch hunt in the spring of 1692. Nuanced, evidence-based theories abound—but so does misinformation.

Here are the 9 most common misconceptions about the Salem witch trials, so the next time someone mentions Salem, you’ll be prepared!

Before we start, let’s set the stage. In January of 1692, two young girls in Salem Village began having inexplicable fits, crying out in strange voices and complaining of phantom pains. After about six weeks of these fits, the girls—who happened to be the daughter and niece of the village minister—accused a handful of local women of causing their afflictions with witchcraft. Other girls in the village began to show symptoms and leveled accusations of their own. Over the next year, more than 150 people were arrested for the crime of witchcraft in the Massachusetts Bay Colony, and twenty were executed.

1. People were burned or dunked.
No one in Salem was burned at the stake. There were no “dunk tests.” (This is the infamous practice wherein a person is thrown in water to “determine” if she’s a witch). The concept behind this test is that water, thought to be pure, will expel a witch’s body, making her float on its surface. An innocent person will not be expelled from the water and will, regrettably, drown.)

All those who were executed in Salem were hanged, and one man was pressed to death under heavy stones in an attempt to make him plead innocent or guilty. Five other people died in prison.

2. The accused witches were all herbalists or abortionists.
There’s an idea that the people who were accused in Salem were herbalists, midwives, or people who embraced divergent or non-Christian paths of spirituality. A few of the accused in Salem were local healers—like a man named Roger Toothaker, my ancestor Martha Carrier’s brother-in-law, who offered small cures rooted in Christian folk magic (like a Bible verse recited over a wound to help it heal). But these were only a few people among the hundreds that were accused. Most people accused of witchcraft in Salem were not herbalists or healers. And while some of the accusations in Salem indicate a preoccupation with reproduction—people were accused of killing infants with witchcraft, for example—the accusations did not actually target midwives.

In the witch hunts of Europe, by contrast, it was much more common for midwives, people using Christian folk magic, or Jews to be accused of witchcraft. This just didn’t happen in Salem.

3. The trials began when a group of girls were caught dancing around in the woods in their nightgowns.
There is a commonly held idea that the afflicted girls—a group of approximately eight girls aged 9 to 20 who claimed to be afflicted by witches and were the trials’ main accusers—were attempting to learn magic before the trials began. This idea was largely the invention of 19th century historians like Charles W. Upham, and then popularized in Arthur Miller’s play The Crucible. While the girls in Salem may have done some light folk magic on their own—for example, cracking an egg in a glass to see who they would marry, the Puritan equivalent of twisting off an apple stem to find out the first letter of your true love’s name—popular folk magic of this sort was largely accepted by society. There’s no evidence that the girls were doing anything more serious that would have gotten them in big trouble: no dancing in the woods, no necromancy, nothing like that.

4. Tituba taught the afflicted girls witchcraft practices.
Nor is there any evidence that Tituba was involved in any of the girls’ folk magic attempts! Tituba, an enslaved woman from Barbados, seems have been fully assimilated into Christian culture before the trials began. If she had been known as a wise woman of any sort, the Puritans—prone to gossip—would have talked about it. The idea that Tituba taught the girls witchcraft is an invention of later historians — as is the idea that she might have taught them her own spiritual practices, which were then interpreted as witchcraft by xenophobic Puritans.

Here’s where it gets interesting. As a foreign, enslaved, indigenous woman, Tituba was exactly the kind of person that 19th century historians would associate with magic. But she is not actually the kind of person that the Puritans would have usually accused of witchcraft. People who were accused of witchcraft, in Puritan Massachusetts, were usually older, poor, and marginalized, but they were still nearly always white Puritans—members of the in-group. Tituba is a departure from this norm, and was likely accused because of her proximity to the afflicted girls (she lived in the same house as the first two girls who showed symptoms of affliction).

5. The girls had their “afflictions” because of ergot poisoning (also known as the theory that the Salem villagers were tripping on acid).
This has been a popular theory since it was suggested in the 1970s, but the evidence just doesn’t fit. The theory here is that the afflicted girls had convulsive ergotism, which was caused by ingesting ergot, a fungus on rye plants, and is marked by convulsions and hallucinations. It’s true that the villagers did eat rye and that the weather conditions the season before the trials could have produced ergot fungus. However, there are a few reasons this doesn’t hold up.

First, convulsive ergotism is more like being poisoned than dropping acid. Other symptoms include vomiting, diarrhea, crawling and livid skin, severe itching and tingling, a ravenous appetite, and more; there’s no record of the girls experiencing any of these afflictions. On the contrary: whenever the girls were not actively having their “fits” and claiming to be afflicted by witches, they appeared to be in perfect health. Someone suffering from ergot poisoning just isn’t capable of this.

The afflictions were also far too coordinated. During the trials, the girls were responsive to the words of the accused, to the magistrates, to each other: if an accused witch bit her lip, the afflicted would scream that they were being bitten, and would eventually produce bite marks to show the magistrates. Someone suffering from ergotism can’t do that, either.

The argument that just the first few afflicted girls had ergotism similarly doesn’t hold water. Convulsive ergotism tends to affect whole families at a time, and especially all the young children in a family, to the point where people used to think it was contagious. The girls who first showed symptoms of affliction lived in a house with younger children, neither of whom ever showed any signs of ergotism.

Finally, it’s unlikely that the girls would have been able to suffer from ergotism at all. While the weather conditions to produce ergot were present in the winter before the trials, scientific literature suggests that outbreaks of convulsive ergotism take place in communities with severe Vitamin A deficiencies. As a farming community that was not experiencing famine and had access to foods with ample Vitamin A (winter squashes, eggs, carrots), it is extremely unlikely that they would have suffered from convulsive ergotism.

6. Abigail Williams was having an affair with John Proctor.
This was an invention of Arthur Miller for The Crucible. Abigail Williams was eleven years old and did not live in or near John Proctor’s house. For the sake of everyone involved, let’s really, really hope there was no affair.

7. Giles Corey refused to plead in order to save his land.
This is an interesting one. Giles Corey was an elderly farmer in Salem Village. His wife, Martha Corey, was accused of witchcraft early in the spring of 1692, and at the time, Giles agreed that Martha might well be a witch—only to suffer accusation himself later on.

In order to bring a someone to trial in Puritan Massachusetts, the accused had to say, out loud, “I will be tried by God and my country.” Giles Corey refused to say these words, and so he could not, under the law, be tried. To force him to speak—so that a trial could proceed—the court ordered him to be pressed under heavy stones. But Corey was stubborn, refused to speak, and, after three days of torture, died under the weight.

Some historians have assumed that Giles Corey refused to speak in an attempt to keep his land from being seized by the state. This would potentially have been possible under English Common Law, which stipulated that a person convicted of a felony would suffer not only death but consequences of property. Upon a conviction, in other words, a man’s moveable goods and chattel were forfeit to the king.

But his land itself would never have been forfeit. There were older English statutes that allowed for that kind of seizure—that stripped a man convicted of a felony of the ability to pass down land at all—but those laws were not in effect in Salem in 1692. So why didn’t Corey speak? Maybe he didn’t understand the law; maybe he thought the older statutes were, for some reason, still in effect, and he needed to avoid conviction at all costs to protect his sons’ inheritance. But maybe he did know. Maybe he refused to speak for another reason.

When Giles Corey was tortured to death, the witchcraft court was primed to hang eight people, including Corey’s wife, Martha. Enthusiasm for the trials was waning. Maybe Giles Corey thought he could stop them. Maybe it was a final desperate act of conscience, one that would force the court to take a hard look at itself, one that would force all of Salem’s accusers to see what they had wrought.

8. The trials ended because the governor’s wife was accused.
This one gets partial credit. It is true that in October of 1692, one of the afflicted girls—there’s no record of which one—accused Governor Phips’s wife of witchcraft, after Lady Phips ordered the release of another prisoner whom she apparently knew. It’s certainly possible that his wife’s accusation contributed to Phips’s disillusionment with the trials, but the accusation of Lady Phips didn’t bring the trials to a halt by itself.

That same month saw increasing criticism of the special witchcraft court from the most important Puritan ministers in the colony, who believed that spectral evidence was insufficient for a conviction of witchcraft. The court—and, by extension, the governor who had created it—was also being pummeled in a couple of anonymous circulating letters and pamphlets, which indicted the judges for gross mismanagement and the accusers for provincialism. At the same time, ministers from New York were also advising the governor that the court’s methods were improper. All of these factors contributed to the governor’s decision to first disband the court (in November of 1692) and then place a moratorium on any further executions (in January of 1693).

9. It was mass hysteria and no one protested.
This is perhaps the most common misconception about Salem: that it was caused by a “mass hysteria.” This implies that Salem’s witch hunt was irrational and uncontrollable; by definition, hysteria is. But while the Salem witch trials were certainly spurred by fear, they were not nonsensical: the religious, political, and economic matrix in which they took place made a witch hunt a relatively rational event. The trials were also encouraged by individual actors, some of whom used the opportunity to settle old scores and who are responsible for a disproportionate number of the accusations.

At the same time, some people—mostly but not only among the accused—did call the trials bullshit. The problem was not that no one protested, but that those who protested found the legal apparatus brought to bear against them. If you called the afflicted girls mad, you might soon stand accused of witchcraft yourself. Other people were silenced by charges of sedition or slander. A Baptist preacher named William Milborne petitioned the Massachusetts General Assembly to urge the court to discount spectral evidence, complaining that people of good reputation were being accused of imaginary crimes. In response, Governor Phips ordered Milborne arrested for his “reflections upon the administrations of public justice,” i.e. for criticizing the court that Phips had created. Milborne was given the choice of jail time or a two hundred pound fine (the cost of a very nice house). In other words: shut up or pay up. Milborne shut up.

Here’s a look at Alice’s latest release The Once & Future Witch Hunt: A Descendant’s Reckoning from Salem to the Present

Past and present collide in this page-turner investigation into Salem’s irrepressible question: How could this have happened?

In 1692, Martha Allen Carrier was hanged in the Salem witch trials as the “Queen of Hell.” Three hundred years later, her nine-times-great-granddaughter, Alice Markham-Cantor, set out to discover why Martha had died. As she chased her ancestor through the archives, graveyards, and haunted places of New England, grappling with what we owe the past, Alice discovered a shocking truth: witch hunts didn’t end in Salem.

Extensively researched and told through alternating fiction and non-fiction chapters, The Once & Future Witch Hunt does not treat Salem as a cautionary tale. It treats Salem as an instruction manual―not on how to perform witch hunts, but how to stop them.

ABOUT THE AUTHOR:

Alice Markham-Cantor is a writer and fact-checker from Brooklyn, New York. Her work has been published in New York MagazineScientific AmericanThe Nation, and elsewhere. She serves on the working committee of the International Network Against Accusations of Witchcraft and Associated Harmful Practices (TINAAWAHP), and she spoke at the first and second Feminist Conferences on the Witch Hunts hosted by the Campaña por la Memoria de las Brujas in Spain. She is the writer and co-producer of A Witch Story, an award-winning documentary about Salem and her research.

COPYRIGHT (2024) Llewellyn Worldwide, Ltd. All rights reserved

Bad Love Strikes’ by Kevin Schewe receives ‘Best Young Adult’ Book of 2024 from The Pacific Book Awards

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Kevin Schewe’s Bad Love Strikes, first in the Bad Love Gang book series, continue with a new honor by the Pacific Book Awards for ‘Best Young Adult’ fiction of 2024. The judges at Pacific Book Awards recognize winning books that demonstrate a wide scope of criteria and portray an excellent overall presentation.

Bad Love Strikes, a bestselling book in the ‘Time-Travel Fiction’ category on Amazon, asks the question, “What if you could go back in time and save a Holocaust victim? Even just one?” A group of rambunctious, misfit, coming-of-age teens from Oak Ridge, TN, in 1974, is given that chance when they happen upon a defunct experiment left over from President Roosevelt, Albert Einstein, the Manhattan Project and the creation of the atomic bomb.

The teens accidentally discover The White Hole Project, a “backup plan” time-travel machine sanctioned by Roosevelt in case the Nazis won the race to get the atomic bomb first. Because the White Hole Project was created solely to go back to the WWII years, the teens come up with a mission to try and save Jews and Gypsies from the Holocaust in November 1944 by using a U.S. Air Force B-17 bomber that is known in the history books as “The Phantom Fortress.” Bad Love Strikes is an enjoyable romp that balances the delicate subject matter of a dark time in history, with the adventurous hope of youth.

The screenplay for Kevin Schewe’s Bad Love Tigers, the second book in the series, has taken the world by storm with 450 international screenplay awards. It has won awards at Cannes World Film Festival, Madrid Arthouse Film Festival, Rome International Movie Awards, New York International Film Awards, and The Los Angeles Movie Awards, to name a few. Schewe has recently completed the screenplay for Bad Love Strikes and it just won the award for Best Feature Script at IMDb seventh edition Cannes Arts Film Fest.

Be sure to watch the exciting book trailers for the Bad Love series: https://bit.ly/BadLoveStrikes-Trailer and https://bit.ly/BadLoveTigers_Trailer and https://bit.ly/BadLoveBeyondTrailer.

About: Kevin L. Schewe, MD, FACRO, is a board-certified cancer specialist who has been in the private practice of radiation oncology for 35+ years. Visit Schewe on Instagram @realkevinschewe and KevinSchewe.com

Shadow Dance by Christine Feehan Book Trailer

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As the head of the New York City Shadow Riders and his branch of the Ferraro family, Geno bears the weight of dual responsibilities on his broad shoulders. There’s nothing more important to Geno than protecting his territory and his famiglia. So when his own parents become the latest victims in a string of vicious murders, Geno is ready to go scorched earth. He thinks he has the assassin in his sights, but he’s unprepared for the firestorm their connection ignites…. Amaranthe Aubert’s lithe dancer’s body conceals a spine of steel. Even held captive and faced with the threat of lethal interrogation, she’s not about to cave under pressure. She had nothing to do with the murders, no matter what the ruthless man in front of her believes. But before Amara knows what’s happening, Geno connects to her in the shadows, stripping her bare of all artifice. Now, she has no way to hide her true reason for being in New York—and nowhere to run from the man who’s very presence steals the very breath from her lungs…. Find out more at https://www.christinefeehan.com/shadowseries/shadow_dance.php

HARPERCOLLINS CHILDREN’S BOOKS ANNOUNCES MULTIBOOK DEAL WITH GIRL SCOUTS OF THE USA

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The first book in the Girl Scouts publishing program, Maven Takes the Lead, hits shelves this fall

HarperCollins Children’s Books today announced a new publishing program with Girl Scouts of the USA (GSUSA), the largest girl-serving organization in the world. The program, which includes eight books, will focus on themes central to Girl Scouts, including friendship, leadership, and taking action, with the goal of inspiring readers everywhere to make the world a better place. The first book, Maven Takes the Lead, will go on sale September 24, 2024. Two nonfiction titles, Take Action: You Can Make the World a Better Place and The Ultimate Friendship Journal: An Interactive Guide to Making New Friends & Treasuring the Ones You’ve Got, will follow in 2025.

Written by Pura Belpré Award–winning author Yamile Saied Méndez, Maven Takes the Lead introduces Maven, a Latina fifth grader who is determined to win her school robotics competition with the support of her friends and Girl Scout troop. Subsequent books in the middle grade paperback series will star diverse members of Maven’s Girl Scout troop and celebrate their unique strengths, passions, and cultures.

Take Action: You Can Make the World a Better Place, an inspiring nonfiction guidebook, and The Ultimate Friendship Journal: An Interactive Guide to Making New Friends & Treasuring the Ones You’ve Got, a guided journal, will follow in January and April 2025, respectively. Both middle grade titles are full of quizzes, journaling prompts, and activities. Future Girl Scout titles, scheduled through 2026, will include another middle grade novel, a picture book, and three “I Can Read!” leveled readers.

Wendy Lou, chief revenue officer of GSUSA, said: “We are so excited for these books. Girl Scouts live our values every day—these books are a great way for all girls and their families to learn more about what it means to be a Girl Scout, from forming long-lasting friendships to having the courage, confidence, and character to take on new and exciting challenges.”

Nancy Inteli, VP, publisher, HarperCollins Children’s Books, said: “Girl Scouts of the USA has positively influenced its members’ lives and communities since 1912, and now these books will expand their mission’s reach to young readers everywhere. We are so proud and honored to be a part of this effort to build young readers of courage, confidence, and character, who make the world a better place.”

World rights for the GSUSA publishing program were licensed to VP, publisher, Nancy Inteli and editor Erika DiPasquale at HarperCollins Children’s Books by Cait Hoyt at CAA.

For more information, visit www.girlscouts.org/Read.

Behind The Words With Lori Roy

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Behind The Words welcomes Lori Roy author of the just released, bestselling novel, LAKE COUNTY. Let’s begin with where you’re from, where you live? Is writing your full-time job?

My name is Lori Roy. I was born and raised and went to college in Manhattan, Kansas. That is pretty much smack dab in the middle of the country. I currently live in Florida and have for the past twenty-seven years. I’m the author of six novels of suspense, and I write full-time.

How long have you been writing?

I started writing about twenty five years ago when I decided to leave my job as a tax accountant in the corporate world to stay home with my kids.

What does your typical writing day look like?

I usually start the day by walking my dog, a two-year-old labrador, and going to the gym. Then I get to work writing. If I’m writing first draft material, I usually get in about 2,000 words in a day. I’ll spend the rest of the day editing previous work or researching and planning.

Tell us about your latest release? Where the idea came from? Perhaps some fun moments, or not so fun moments?

My latest novel, which comes out June 1st, is LAKE COUNTY. After reading the work of Gilbert King, who has written extensively about Lake County, which is an actual location in central Florida, I became interested in the area and its history. I’ve also long been interested in the history of Ybor City, which is near Tampa, and its ties to the mafia. I would say the most fun I had with this book was when Marilyn Monroe walked on the page as a character.

Could you share one detail from your current release with readers that they might not find in the book?

Charlie Wall is another historic character in the novel, and I doubt people outside of Florida will know about him.  He is largely considered the grandfather of organized crime in Tampa. He came from an influential family and was ultimately forced from power by the Italian mafia.

Who has been the most difficult character for you to write? Why?

For any other book I’ve written, I would have an answer for this question, but with LAKE COUNTY, every character sprang to life quickly and easily. I can’t think of one that caused me any trouble.

If you could be one of your characters for a day which character would it be?

I think I’d like to be Ilene Holt, the mother of the young man who is the protagonist’s love interest. She doesn’t have a large role in the novel, but it’s an important one. She’s fiercely independent, shrewd and courageous. I might revisit her one day, because I’d like to spend more time with her.   

What’s your take on research and how do you do it?

I draw inspiration from my research. This includes traipsing through swamps, visiting small towns, studying history, interviewing people and undertaking a task such as dumpling making so I know what my characters are up against. A couple of my favorite research tools are two Sears catalogs I have, one from the 1950s and another from the 1930s.

Are there any particular authors that have influenced how you write?

Pat Conroy and Toni Morrison were early influences on my work, and I like to go back to them when I’m stumped.

Do you have a secret talent readers would be surprised by?

I was once a tax accountant and am pretty good with numbers.  That seems to surprise people.

Your favorite go to drink or food when the world goes crazy!

I like a Woodford neat once in a while.

What is the one question you never get ask at interviews, but wish you did? Ask and answer it.

Does the writing ever get easier? No.

Quite the history lesson! Thank you very much for joining us today. 

Readers, here’s a quick look at LAKE COUNTY, which is available now.

Set in the 1950s, this thriller by Edgar Award–winning author Lori Roy reimagines the life of Marilyn Monroe, tying her fate to a dreamy teenager whose boyfriend runs afoul of the mob.

Desperate to break free of small-town Florida, Addie Anne Buckley dreams of following in the path of her glamorous aunt Jean—known to the world as Marilyn Monroe. When Aunt Jean plans a trip to Hollywood for Addie’s eighteenth birthday, Addie sees her chance to escape.

One thing stands in her way: her boyfriend. Truitt Holt is Addie’s first and only love and will be joining her in California. But days before Addie’s due to leave, Truitt does an about-face and gives her a painful ultimatum: stay and marry him, or they’re through. Addie chooses her dream.

Hurt and angry, Truitt unwittingly exposes the illegal bolita game he’s been running in mob territory. Now the Tampa Mafia is after him, and he has until midnight to cut a deal that will save his life and Addie’s. What he doesn’t know…his trouble with the mob has already found Addie and her family. She’s already in a fight for her life.

Sneak Peek: Market For Murder By Heather Graham

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Market For Murder By Heather Graham

In the alleys of Edinburgh, someone is killing for profit…

Scotland has a dead body problem. Another one. And in the wake of a similar spate of tribute killings, Special Agents Luke Kendrick and Carly MacDonald know they have their work cut out for them. Working alongside a new team of agents, the partners have more questions than answers when the crime scenes yield little evidence. In the style of infamous killers Burke and Hare, it appears victims are being moved to a secondary location, where they’re dissected and sold for spare parts.

With the clock ticking on every organ being harvested, the members of Blackbird know the killers must be near at hand, and soon discover that they’re also being closed in on. As questions begin to arise about the newest additions to their team, Luke and Carly are running out of time—and people they can trust—to catch the killers before the agents themselves are the next to be put on ice.